Q&A

Tetsuya Maruyama | Japan | 2026 | 20' |

| IFFR 2026

Hazy images created through a homemade pinhole camera: palm trees and parasols are reduced to flickering impressions of light and shadow. Familiar sounds of the scene are garbed by magnetic pulses. The title, taken from a jazz piece by Dave Holland, serves as an unheard soundtrack to a meditation on time and space.

– Cristina Kolozsváry-Kiss

Also in this combined programme

ANTFILM
Focus: Tetsuya Maruyama
Tiny gauge traps even tinier bodies in a tomb of tape and celluloid.
FOTOGRAFAR
Focus: Tetsuya Maruyama
A glass of water and a beam of light become the tools of diaristic self-reflection.
L.O.V.E.S.O.N.G
Focus: Tetsuya Maruyama
A found Super 8 cartridge of a vintage wedding intervened upon beyond recognition.
GIRA 2
Focus: Tetsuya Maruyama
Dual small gauge projection of the POV of bike pedals gyrating along the sand.
One more performance that unfolds a space
Focus: Tetsuya Maruyama
A film without image, a performance of space and time. What is not film?
Corredor
Focus: Tetsuya Maruyama
A meditation on an unloved and underappreciated space within the domicile.