Artist Hsu Che-yu (The Making of Crime Scenes, IFFR 2022) blends his digitally animated exploration of the relation between media and memory with an account of Taiwanese terrorist Yung Ru-Men, a bomb maker who idolised Japan’s suicidally-inclined United Red Army.
The black-and-white images, presented as still frames, are patchy and unreal, like our memories; both physical places and human figures disintegrate – an oblique and compelling testament, probing unseen acts and murky motivations.
– Adrian Martin
Ook in dit verzamelprogramma
-
-
Now I’m in the Kitchen
An impressionistic animation conjuring kitchen culture and the distance between a Chinese mother and an American daughter. -
One Home to Another
Dominique van Olm combines home movie footage from her Dutch grandfather with contemporary, poetic images. -
Film details
- Productielanden
- France, Taiwan
- Jaar
- 2023
- Festivaleditie
- IFFR 2023
- Lengte
- 20'
- Medium/Formaat
- DCP
