A semi-biographical fiction inspired by his father’s work at one of Kodak’s first processing labs, Andrew Norman Wilson’s speculative gloss on the evolution of photo-chemical science entwines multiple perspectives and personas. Co-written by James N. Kienitz Wilkins, Kodak imagines a dialogue between a blind, mentally unstable former film technician and George Eastman himself, recordings of whom play out over a procession of photographs, home video footage, vintage Kodak ads and vivid, computer-generated 3D models.
Winner Found Footage Award, IFFR 2019. Also see Artist Talk Andrew Norman Wilson.
Also in this combined programme
-
The Mental Traveller
The Mental Traveller meditates on the passing of time, external behavior and sensory realities on a psychiatric ward in Thailand.
-
Le silence des sirènes
Kafka’s reimagining of the deadly sirens is the inspiration behind this intimate portrait of a young woman struggling with her identity.
Film details
- Country of production
- USA
- Year
- 2018
- Festival edition
- IFFR 2019
- Length
- 33"
- Medium/Format
- DCP
You may also like this
-
Red Film
A dizzying array of colours, textures and literary quotations point to the perfidious capitalist pressures on women to conform and consume.
-
27 thoughts about my father
Poignant portrait of the filmmaker’s father, who died last year, told in 27 brief contemplations, including personal moments and exceptional arc
-
The Sasha
In 1972, Charles Duke lands on the Moon. The Sasha deals with humanity’s constant struggle with temporal and spatial limitations.