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29 Jan – 8 Feb 2026

Andrew Norman Wilson

Andrew Norman WILSON (1983, USA) is a visual artist, filmmaker, curator and lecturer based between Europe and the US. He works in video, sculpture, photography and performance. The aesthetics of corporate America, the economics of production and the mysteries of technology are recurring themes in his work, which engages audiences at a pre-cognitive level. Wilson obtained an MFA from the School of the Art Institute of Chicago in 2011. He is best known for Workers Leaving the Googleplex (2011), in which Wilson critically examined Google’s labour practices. His work has been exhibited at MoMA New York, the Whitney Museum of American Art, The Getty Museum, Centre Pompidou, LUMA Arles, MoMA PS1 and the Gwangju and Berlin Biennials. Festival screenings include Sundance, the New York Film Festival and IFFR. Wilson has lectured at Oxford University, Harvard University, Universität der Künste Berlin and CalArts. His semi-biographical fiction Kodak had its international premiere at IFFR 2019, competing in the Tiger Short Competition. Returning to Rotterdam in 2020, Wilson premiered Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome as part of the Bright Future programme.

Filmography

(selection, all short) Workers Leaving the Googleplex (2011), Free (2012), SONE S/S 2014 (2014), The Unthinkable Bygone (2016), Reality Models (2016), Ode to Seekers 2012 (2016), Kodak (2018), In the Air Tonight (2020), Impersonator (2021), Silvesterchlausen (2024)

More info: Wikipedia, Andrew Norman Wilson

Andrew Norman Wilson op IFFR