A film without images, that appeals to the imagination even more. Johannes Maier interviewed people in cinemas in various world cities. We hear their stories and also read them as subtitles. Their reasons for coming to see a specific film, expectations and very personal associations with or memories of film: all these stories sketch a psychological portrait of the arthouse film lover.
Also in this combined programme
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Daumë
What does a film look like without a narrative, a character or even just an emotional state to identify with? -
-
Our Eye
Among the things you may inherit from your parents: money, preconceptions, turns of phrase, hairline, a like/dislike of hills. And sometimes a collect -
Fear of Blushing
A homage to the power and the transience of film as material and as a spectacle of light. -
-
Bautismo
The motif of waves at sea and a feminine figure suggest both a siren and a drowned person, a muse and a victim. -
Trinity
A short film in three parts (Memory, Sin, Desire) that analyses our viewing equipment as much as it analyses our desire to watch. -
ATOZ
What is the impact of an order such as the alphabet on the awakening mind of a child? A short film dedicated to Breer’s first…
Film details
- Country of production
- Germany
- Year
- 2000
- Festival edition
- IFFR 2002
- Length
- 8'
- Medium/Format
- Betacam SP PAL
