What (is) Cinema? – Watch it Move
Combined programme
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IFFR 2002
The most diverse applications of film-making demonstrated. Narrative, experimental or documentary, straight film or on video, pure image or sound only, colour or black and white. Besides a deconstruction of the material characteristics of the medium, this compilation also offers some insight on the motivations for making a film. Eros and Thanatos, nostalgia and hope, dead and resurrection, voyeurism and timidity, ratio and association, memory and oblivion, anthropology and individualism.
In dit verzamelprogramma
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Daumë
What does a film look like without a narrative, a character or even just an emotional state to identify with? -
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Our Eye
Among the things you may inherit from your parents: money, preconceptions, turns of phrase, hairline, a like/dislike of hills. And sometimes a collect -
Fear of Blushing
A homage to the power and the transience of film as material and as a spectacle of light. -
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Bautismo
The motif of waves at sea and a feminine figure suggest both a siren and a drowned person, a muse and a victim. -
Trinity
A short film in three parts (Memory, Sin, Desire) that analyses our viewing equipment as much as it analyses our desire to watch. -
ATOZ
What is the impact of an order such as the alphabet on the awakening mind of a child? A short film dedicated to Breer’s first…
