What (is) Cinema? – Watch it Move
The most diverse applications of film-making demonstrated. Narrative, experimental or documentary, straight film or on video, pure image or sound only, colour or black and white. Besides a deconstruction of the material characteristics of the medium, this compilation also offers some insight on the motivations for making a film. Eros and Thanatos, nostalgia and hope, dead and resurrection, voyeurism and timidity, ratio and association, memory and oblivion, anthropology and individualism.
In this combined programme
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Daumë
What does a film look like without a narrative, a character or even just an emotional state to identify with?
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Our Eye
Among the things you may inherit from your parents: money, preconceptions, turns of phrase, hairline, a like/dislike of hills. And sometimes a coll
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Fear of Blushing
A homage to the power and the transience of film as material and as a spectacle of light.
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Bautismo
The motif of waves at sea and a feminine figure suggest both a siren and a drowned person, a muse and a victim.
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Trinity
A short film in three parts (Memory, Sin, Desire) that analyses our viewing equipment as much as it analyses our desire to watch.
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ATOZ
What is the impact of an order such as the alphabet on the awakening mind of a child? A short film dedicated to Breer’s first granddaughter Z
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Embracing
Personal quest in which the maker traces her father, whom she hasn’t seen for a long time.
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Our Land – Episode 6 (Stalking)
Two dog teams search the Spring ice, men and boys hunt day and night. There are seals everywhere.