Our Eye

Chris Bowman | UK | 2001 | 22' |

| IFFR 2002

Among the many things you may inherit from your parents are money, preconceptions, turns of phrase, hairline, a like/dislike of hills. Among the things a new technology inherits from its predecessor is a language of metaphors. Bowman used digital means to process the amateur films of his father. As well as a family portrait and evocation of the Scottish landscape across the ages, this videotape is also a reflection on technology and memory.

Also in this combined programme

Ex.spectators

A film without images, but that appeals to our imagination even more.
What (is) Cinema?
Daumë

What does a film look like without a narrative, a character or even just an emotional state to identify with?
What (is) Cinema?
Dog

A loveless story about a girl, her mother, a boy and a dog. L’Humanité revisited.
What (is) Cinema?
Fear of Blushing

A homage to the power and the transience of film as material and as a spectacle of light.
What (is) Cinema?
Repérage

A metaphysical documentary on freedom and ties, on what is near and the unspeakable.
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Bautismo

The motif of waves at sea and a feminine figure suggest both a siren and a drowned person, a muse and a victim.
What (is) Cinema?
Trinity

A short film in three parts (Memory, Sin, Desire) that analyses our viewing equipment as much as it analyses our desire to watch.
What (is) Cinema?
ATOZ

What is the impact of an order such as the alphabet on the awakening mind of a child? A short film dedicated to Breer’s first granddaughter Z
What (is) Cinema?