Short & Mid-length
Overview of films
-
La noirceur souterraine des racines
Charles-André Coderre | 10' | Canada | World premiere
An immense and interconnected network of subterranean natural phenomena is illuminated using analogue film techniques. -
The Non-Actor
Eliza Barry Callahan | 18' | USA | World premiere
Following sudden, unexplained hearing loss, Elliot reconfigures her relationship with her (sonic) environment and herself. -
La nostra habitació
Jaume Claret Muxart | 28' | Spain | World premiere
A weary radio host begins a new programme in this considered and melodious vignette. -
Now I’m in the Kitchen
Yana Pan | 5' | China | Dutch Premiere
An impressionistic animation conjuring kitchen culture and the distance between a Chinese mother and an American daughter. -
Ode to Loneliness
Rawane Nassif | 17' | Canada | International premiere
A woman alone inside her high-rise Doha apartment: a stylised depiction of experiences and longings. -
Ohio Sonata
Lluís Galter | 16' | Spain | World premiere
An infinite soap opera made from stock images in an impostorous Ohio. -
Ojitos mentirosos
Elena Duque | 6' | Spain | World premiere
Elena Duque eulogises the magic of film with architecture and the unique texture of 8mm. -
The Old Child
Felipe Esparza Pérez | 16' | France | World premiere
In this brief daydream, a monk and a child each embrace modern technology in their own way. -
On Plains of Larger River & Woodlands
Miguel de Jesus | 13' | Australia | World premiere
In suburban Tasmania, Imogen and Audrey reflect on isolation and explore new forms of intoxication. -
Once Upon a Time There Was a Mom
Lin Htet Aung | 29' | Myanmar | World premiere
Playful, unconventional black-and-white film that sees a man undergoing a transformation after his wife’s death. -
One Home to Another
Dominique van Olm | 10' | Canada | World premiere
Dominique van Olm combines home movie footage from her Dutch grandfather with contemporary, poetic images. -
One Image, Two Acts
Sanaz Sohrabi | 44' | Canada | None
Oil production, ideological propaganda and political shifts in Iran meet in this essay based on BP’s image archive.