Like much of Maruyama’s work, the description of this double 16mm projector performance is too simple to render its effect. Two illuminated dots dance in darkness, betraying the imperfections of the churning gears and motorised mechanics of analogue projectors. Like dancing moons gibbering the faulty frame rates for our fallible eyes.
– Cristina Kolozsváry-Kiss
Also in this combined programme
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Shashin no Ma
A meditative work exploring the Ma – a Japanese aesthetic concept – of photographic images. -
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Situation-Cinema
A text-based performance where Tetsuya Maruyama invites us to explore the cinematic outside the cinema.
Film details
- Country of production
- Brazil
- Year
- 2024
- Festival edition
- IFFR 2026
- Length
- 15'
- Medium/Format
- 16mm
