A three part film. Cut-outs of war machines and the figure of Napoleon - contributors to an anti-war theme - encounter abstract shapes, line drawings, old-master landscapes, short bursts of 'real-time' landscapes and shakily photographed gestural watercolors. … 'a synthesis of all previous techniques.' (RB)
- Director
- Robert Breer
- Country of production
- USA
- Year
- 1957
- Festival Edition
- IFFR 2008
- Length
- 6'
- Medium
- 35mm
- Language
- no dialogue