A Man and His Dog Out for Air
The first Breer-film that involved a continuous cartoonlike movement. Breer called it ‘a stew (in which) once in a while something recognizable comes to the surface and disappears again.’ In 1962, it ran for nine months in New York with Last Year at Marienbad.
Also in this combined programme
-
Jamestown Baloos
Cut-outs of war machines and the figure of Napoleon encounter abstract shapes, line drawings, old-master landscapes and short bursts of ‘real
-
Le mouvement
Filmed during the exhibition with the same title, in April 1955, considered the first show exclusively devoted to kinetic art.
-
Un Miracle
Pope Pius XII juggles with balls, then his head, then goes off to Paradise. Without his arms.
-
Sparkill Ave!
Everyday things, i.e. newspapers, have been a characteristic since some of his very early films, but here Breer for the first time shows more perso
-
Eyewash
Organised confusion of live footage and animation. Colour added to by hand on each print.
-
Blazes
A continuous explosion. Breer made a hundred images, created by gestural brushstrokes and switched their positions for four thousand frames.
-
-
Colliding
Colliding was made entirely from Super8 footage and it was completed as a silent film in 1977. It could be described as a ‘structural documen
-
LMNO
A policeman, drawn in a ‘childish’ manner, is caught in mini-dramas but also in graphic events.
-
Recreation
Breer filmed all kinds of things and tightened the rhythm by reducing the shots to lengths of three frames, two, or even one.
-
Robert Breer at Home (Chez Robert Breer)
Breer in February 1992: he manipulates some of his mutoscopes, he leafs through some cards and a dome-shaped sculpture slowly moves across the spac
Film details
- Country of production
- USA
- Year
- 1957
- Festival edition
- IFFR 2008
- Length
- 3"
- Medium/Format
- 35mm
You may also like this
-
77
In 77 we see a number of simple mechanic objects spiral out of a spray-paint nebula then implode into pure pattern and line.
-
What Goes Up
Breer’s personal take on the everyday in images that zoom past us like a flashback of a thousand perfectly lived moments, a four-minute epic.
-
Pat’s Birthday
A fragmentary record of a birthday party ‘happening’ in which Pop artist Claes Oldenburg assembles a collage cake for Breer’s wife Pat.