Robert Breer
More information will follow soon.
Robert Breer at IFFR
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69
Animated geometric volumes are following the codes of perspective and thus create the illusion of screen depth.
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Blazes
A continuous explosion. Breer made a hundred images, created by gestural brushstrokes and switched their positions for four thousand frames.
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77
In 77 we see a number of simple mechanic objects spiral out of a spray-paint nebula then implode into pure pattern and line.
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77
In 77 we see a number of simple mechanic objects spiral out of a spray-paint nebula then implode into pure pattern and line.
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A Man and His Dog Out for Air
A Man and His Dog out for Air, 1957, drawings with pen and ink on paper, 21,2 cm x 27,2 cm each, courtesy the artist and gb agency, Paris
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A Man and His Dog Out for Air
The first hand-drawn film by Breer that involved a continuous cartoon-like movement. One of his most accessible.
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What Goes Up
Breer’s personal take on the everyday in images that zoom past us like a flashback of a thousand perfectly lived moments, a four-minute epic.
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Pat’s Birthday
A fragmentary record of a birthday party ‘happening’ in which Pop artist Claes Oldenburg assembles a collage cake for Breer’s wife Pat.
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Breathing
The movement of the line, and its place on the screen, and its density, the rhythms… make up the entire film.
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A Man and His Dog Out for Air
A Man and His Dog out for Air, 1957, 16mm transfer to dvd, 3 min, b&w