A continuous explosion. Breer made one hundred basic images, hundred pictures created by gestural brushstrokes, and made them switch positions for four thousand frames. This film is Breer’s last to rigorously pursue the image by images experiment with wholly opposed single frames – his so-called ‘consecutive pointillist approach.’
Also in this combined programme
-
Videovoid – The Trailer
A loss of memory generates a loss of information; electronic emptiness. -
Le retour à la raison
The first work from film history that was created without a camera in the darkroom – at least partly. -
Devil’s Book
Evocation of the book in which the Devil inscribes the names of the damned. -
Feuerhaus
Created by flashlight exposures of plants and rocks directly on print stock. -
-
Art Type (Fluxfilm #20)
A cameraless film with Letraset motifs applied directly onto transparent leader. -
Salvage
A film resulting from commercial salvage, rejected material given a second chance. -
Motion Picture: La sortie des ouvriers de l’usine Lumière à
One photograph transforming itself into a row of surprising images, freed from their signifier. -
-
A sharped edged, topical film
About the inefficient distribution of publicity posters and its consequences.
Film details
- Country of production
- USA
- Year
- 1961
- Festival edition
- IFFR 2000
- Length
- 3'
- Medium/Format
- 35mm
