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Hard-edged solid shapes – drawn on cards with a knife and ruler, and linear 3-D shapes rotate in space, alternate with each other, and optically disintegrate. ‘It’s so absolutely beautiful, so perfect, so like nothing else. Forms, geometry, lines, movements, light: very basic, very pure, very surprising, very subtle. (Jonas Mekas)
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Give Aids the Freeze
A visual commentary on two serious men and their latent sexuality. -
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Piece Mandela/End War
Black and white mingles with colour, extreme positions become one. -
Schwechater
Supposedly shot as a commercial for an Austrian beer, Kubelka drastically edited the material into a hermetic yet fascinating cinema object. -
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Polska kronika non-kamerowa nº6
Pumped-out nation, an old-fashioned Polish kitchen, a new car and a lot more. -
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Film details
- Productieland
- USA
- Jaar
- 1968
- Festivaleditie
- IFFR 2000
- Lengte
- 5'
- Medium/Formaat
- 35mm
- Taal
- no dialogue
- Première status
- -
- Director
- Robert Breer
- Sales / World rights holder
- Light Cone Distribution