With Heaven’s Gate, Ahwesh employs a strategy similar to that used in 73 Suspect Words: against a blank screen, a metronomic procession of single words unfolds, gradually building into a cool, minimal portrait of the apocalyptic paranoia that runs through the American social body. While 73 Suspect Words appropriated text from the writings of Theodore Kaczynski, aka the “Unabomber,” Heaven’s Gate takes up words from the Web site of the cult organization of that name, whose beliefs in extraterrestrial contact led to their 1997 mass suicide.
Also in this combined programme
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L’étreinte
Light creates movement. Black and White functions in this film as some sort of developer. There is something going on here that lies between death,
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Rosecolored Flower
A rose in a glass vase on the windowsill. Soft Vermeer-like light falling into the dusky room, and playing through the crystal-clear water. Most of
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Van de koele meren des doods
A lady in a Seventeenth Century dress stands on the edge of a lake and looks out over the water. When we approach her the lady lifts her dress up a
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Spaced Odditties
Pictures from a black and white documentary about the life in fresh water, recomposed on the celluloid ribbon by an image by image collage to form
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Pony Changes Everything
A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony,
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Bouquets 26-27
Bouquets 26 and 27 are part of a series of one minute films, structured visually in the camera during filming covering a variety of subjects. Bouqu
Film details
- Country of production
- USA
- Year
- 2001
- Festival edition
- IFFR 2005
- Length
- 4"
- Medium/Format
- DV cam NTSC
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