A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony, the world is as disorientating as it is depressing. The audience is invited to help make order of the chaos. This film is part of the Post Pony Trilogy.
Also in this combined programme
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L’étreinte
Light creates movement. Black and White functions in this film as some sort of developer. There is something going on here that lies between death,
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Heaven’s Gate
With Heaven’s Gate, Ahwesh employs a strategy similar to that used in 73 Suspect Words: against a blank screen, a metronomic procession of si
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Rosecolored Flower
A rose in a glass vase on the windowsill. Soft Vermeer-like light falling into the dusky room, and playing through the crystal-clear water. Most of
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Van de koele meren des doods
A lady in a Seventeenth Century dress stands on the edge of a lake and looks out over the water. When we approach her the lady lifts her dress up a
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Spaced Odditties
Pictures from a black and white documentary about the life in fresh water, recomposed on the celluloid ribbon by an image by image collage to form
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Bouquets 26-27
Bouquets 26 and 27 are part of a series of one minute films, structured visually in the camera during filming covering a variety of subjects. Bouqu
Film details
- Country of production
- USA
- Year
- 2003
- Festival edition
- IFFR 2005
- Length
- 10"
- Medium/Format
- Betacam SP PAL
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