Pictures from a black and white documentary about the life in fresh water, recomposed on the celluloid ribbon by an image by image collage to form new figures… repeating itself with regular intervals like variations on the same motif.
A rose in a glass vase on the windowsill. Soft Vermeer-like light falling into the dusky room, and playing through the crystal-clear water. Most of
Bouquets 26 and 27 are part of a series of one minute films, structured visually in the camera during filming covering a variety of subjects. Bouqu
Light creates movement. Black and White functions in this film as some sort of developer. There is something going on here that lies between death,
If there ever was such a thing as a typical Swedish movie about a serial killer in an idyllic setting, this is it. A simple and absurd commentary o
Mistral is the record of an off season journey in the south of France. Bare landscapes, burnt fields, empty villages, a still life with red wine in
A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony,
With Heaven’s Gate, Ahwesh employs a strategy similar to that used in 73 Suspect Words: against a blank screen, a metronomic procession of si
A lady in a Seventeenth Century dress stands on the edge of a lake and looks out over the water. When we approach her the lady lifts her dress up a
An inventor has been trying to make a perpetuum mobile all his life.
Personal reflections form a hotel room in Berlin.
A young Moslem woman prays every afternoon in front of a busy office in the heart of Toronto…