Signals: Size Matters
Overzicht van films
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The Spirit of Enquiry
Simon Norfolk | United Kingdom | -
A series of mandala-like images depicting the Large Hadron Collider at CERN, the largest gathering of knowledge in the history of mankind, larger even -
Spyder
Ishibashi Kiyomi | 115' | Japan | World premiere
A portrait of a young woman with a vagabond soul. She experiences various levels of reality, between heaven and hell, ecstasy and horror, discovering -
Standard Gauge
Morgan Fisher | 35' | USA | -
A reservoir of forgotten film material forms a metaphorical biography of the film history and a partial autobiography of Fisher himself. -
Staubkaskade
Stefan Pautze | 4' | Germany | None
Fractals provide the mathematical tool set to describe complex structures. Dust is the mathematical description for a set of non-connected points. -
Super Size Shorts
A selection of shorts of Size Matters, in a single screening on the biggest festival screen. -
The Surging Sea of Humanity
Ken Jacobs | 11' | USA | -
A stereograph of the crowd at the opening of the US Centennial Exposition of 1893 turns into a movie, into an enormous rugged 3-D landscape. -
Sync Up Element
Stom Sogo | 23' | Japan | None
An incantatory and self-combustible mix of images, as seen while having epileptic seizures. By an erratic master of low tech DIY video. -
They Shine
Rosa Barba | 4' | Netherlands | None
The Mojave desert. Endless rows of solar mirrors slowly revolve, reflecting their surroundings. A voice recounts local stories. -
Three Blueprints (Anicca, Dukkha, Anatta)
Thomas Mohr | 4' | Netherlands | World premiere
266144 photos are extremely compressed in clusters again and again to almost unimaginable nano-dimensions; then filtered to their last essence. -
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Tom, Tom, the Piper’s Son
Ken Jacobs | 115' | USA | None
Jacobs’s camera closes in on a 1905 film to better ascertain the infinite richness, searching out incongruities, delighting in the whole bizarre human -
Two Times 4’33”
Manon de Boer | 10' | Belgium | None
Based on John Cage’s composition 4’33” (1952), the artist filmed two performances of the same piece to explore the impact on the viewer.