Signals - RE: Reloaded
Overzicht van films
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An Encounter
Igor Bezinović | 25' | Croatia | None
In 2009 in Croatia, students joined farmers in a demonstration for the first time. Although major media were present, this is the only video which… -
Environmental Tour of the Bristol Channel
35' | United Kingdom | -
A search to connect with the sea landscape both acoustically and psycho-geographically. -
Evil of Dracula
Martha Colburn | 2' | USA | None
Ultimate attempt to portray the world after death. Found footage pornography is part of the film, which was literally scratched with skeletons. -
Exercises by Bonom
Bonom | 16' | Belgium | None
This series of short videos by graffiti artist Bonom testifies that street art cannot easily be pigeonholed. -
Fire & Rain
James Benning | 2' | Austria | -
Trailer for the Viennale in 2009. James Benning, the master of the long scene, can also do it in one minute. Outtake from the longer… -
Foreign Film
Christopher Hutsul | 2' | Canada | -
Trailer of the Vancouver Film Festival pays homage to the innocent film festival visitor who is confronted with heavy stuff… -
Happiness the Movie
Elena Kabankova, Grigorii Dikert | 10' | Russia | None
Why do we have to be happy? Happiness the Movie takes us through the secrets of psycho programming and human behaviour management. -
The Heart of the World
Guy Maddin | 6' | Canada | None
A riveting ‘montage of attractions’ of the styles of silent cinema; two clans fighting for a throbbing heart. Produced for the Toronto Film Festival 1 -
HFRemix
Pascal Baes | 16' | Belgium | None
Mathematical re-composition of fragments of old 16mm films through a heightfield effect. An explosion of light and colour. -
I Choose Darkness
Karen Yasinsky | 9' | -
For this deadpan, and yet moving puppet animation, Karen Yasinsky used Robert Bresson’s film Au hasard Balthazar as a starting point. -
I Want to Run in My Mountains
Al and Al | 3' | -
For this dance macabre, Al and Al transformed their performances into animations, using motion tracking biometric technology. -
In Place of Capital
Zachary Formwalt | 25' | -
A picture of the Royal Exchange building in London (1844) is used to illustrate the impossibility of capturing economic movements in a photograph.