Break Even Store
Overzicht van films
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010101
T. Marie | 1' | -
This loop is an ever-shifting motion painting comprised of continual waves of saturated colour. The title mimics the binary code. -
Billy Roisz & dieb13: Tinytools – Chamber A/V
Billy Roisz | 10' | -
For this chamber A/V performance feedback specialist Billy Roisz will be accompanied by Viennese musician & composer dieb13. -
The Cinema of Attractions Reloaded
Wanda Strauven | -
The phrase ‘cinema of attractions’ was introduced twenty-five years ago. Now it can also be applied to The Matrix, virtual reality and video games. Ta -
Cold Morning
Mark Lewis | 8' | -
When shown in a loop, the observations of a homeless man and two pigeons, in midwinter on a boardwalk, turn into contemplation. -
The Collaborators
Ann Course | 4' | -
In her first dialogue-based work, the words come out as sparse as the lines of visual artist Ann Course’s rudimentary, yet powerful drawings. -
Congo Love
Xavier García Bardón | -
Warming up for the Where Is Africa programme, a live mix of imported Congolese 1970s and 80s music videos and DVDs. -
The Cost of Living (Break Glass Upon Reflection)
Various Artists | USA | -
Initiated by Mark McElhatten, this realisation of a collective project is a hommage to the originator of the idea, the late Mark Lapore. Compilation p -
The Creators of Shopping Worlds
Harun Farocki | 72' | None
In his video-essay, Harun Farocki investigates how brave new shopping worlds are being created, a paradise under constant surveillance. -
The Day Was a Scorcher
Ken Jacobs | 8' | USA | International premiere
Animating a photo album into motion, Jacobs applies his magic to the home movie genre. The faces of his family members appear with painterly grace. -
Dreamland
Zoe Beloff | -
One hundred years after Sigmund Freud’s visit to Coney Island, Beloff resurrected the forgotten world of an amateur film society run by psychoanalysts -
L’école des pickpockets
Sven Augustijnen | 52' | -
This video shows two professional pickpockets teaching their craft to an unidentified amateur in just a few hours’ training. -
I Choose Darkness
Karen Yasinsky | 9' | -
For this deadpan, and yet moving puppet animation, Karen Yasinsky used Robert Bresson’s film Au hasard Balthazar as a starting point.