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29 Jan – 8 Feb 2026

main programme

Overview of films

  • L’hor vert

    Jacques Fusilier | 13' | France | -

  • A House in Jerusalem

    Amos Gitai | 90' | France | -

    Quest based on Gitaï’s earlier film House, about a house in Jerusalem that was taken from its Arab owners and came into Jewish Israeli hands.…
  • The House of Yes

    Mark Waters | 90' | USA | -

    Dynamic and satirical film about a rich and dysfunctional family in which the lights go out on Thanksgivings. With the new star Parker Posey in…
  • Hufters en hofdames

    Eddy Terstall | 85' | Netherlands | World premiere

    Summery Amsterdam comedy of relationships among twenty-somethings.
  • The Hundred Videos

    Steve Reinke | 277' | Canada | -

    Aesthetic, eclectic result of the maker’s attempt to complete ‘100 videos before the year 2000’.
  • Hunt down

    René Hazekamp | 10' | Netherlands | World premiere

    Virtuoso dance film. The maker says it is his last.
  • Hysteria

    René Daalder | 104' | Canada | World premiere

    In a psychiatric institution, an obscure scientist works on a way to link patients by telepathy, but that leads to paranoia and jealousy.
  • I Can’t Sleep

    Claire Denis | 110' | France | -

    The black gay Camille and his French lover are addicts and need lots of money. Sensational story recorded by Denis without moralising.
  • I love you and I’ll take you to the movies

    Ricardo Vega | 65' | Cuba | International premiere

    Three-part film about the youth of Havana.
  • I Shot Andy Warhol

    Mary Harron | 106' | USA | -

    Valerie Solanas, a militant feminist who tries to murder Andy Warhol, achieves more than fifteen minutes of fame thanks to a star role from Lili…
  • I Went Down

    Paddy Breathnach | 107' | Ireland | -

    Road movie and crime mystery about recently released prisoner who immediately gets in trouble when he is forced to do a shady job with a…
  • I Wish

    Zulfikar Musakov | 108' | Japan | World premiere

    The life of forty-somethings in today’s Uzbekistan. The maker looks lovingly at his home Tashkent, where big-city cynicism still hasn’t taken over; an