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28 Jan – 7 Feb 2027

Overview of articles

  • Tokyo Tribe

    This year, there’s no shortage of crazy grand spectacles from Japan, but only one can be the craziest and the grandest. Tokyo has become a…
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  • L’invention du désert

    ‘Humans have been our parents, our shepherds, and finally our obsolete children’. Sketch of an eery post-human landscape that looks suspiciously like
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  • Man on High Heels

    Jang Jin’s fetish actor Cha Seung-Won plays an ultra-macho cop with a deep secret: he wants a sex change. Meanwhile he’s caught between taking down…
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  • Titli

    Indian entry at Cannes, this remarkable debut deals with a young man’s bonds to his dysfunctional family and his attempt to escape it. Situated in…
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  • Swandown

    Using a swan pedalo, the filmmakers Andrew Kötting and Iain Sinclair embark on a water trip from Hastings to Hackney. No wonder people talk candidly…
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  • We, in the Year 2000

    We, in the Year 2000 deconstructs a 1970s childhood propaganda song, which was written to ‘announce’ the prospect of a brighter socialist future in th
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  • Ash and Money

    Tallinn-based theatre company NO99 sets a bigger-than-life experiment. To undermine Estonia’s rotten political scene, they create a fake political par
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  • sequenza

    Intimate film based on the composition Sequenza VIII for solo violin. Body and instrument dissolve into abstract details and dance off into the sound
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  • Transformers: The Premake

    355 YouTube videos constitute a critical as well as funny investigation into the global big-budget film industry, amateur video-making, and the politi
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  • Murder, Take One

    In the near future, Jang Jin suggests, murder trials will be staged as TV shows. An Agatha Christie-like mystery surrounds the murder of a woman…
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