Kari Fisher, accompanied by family and friends, revisits the many Canadian houses in which she has lived – comparing fuzzy memories with their present-day realities. There is an echo of James Benning’s autobiographical films, but in a completely different style: scratchy, jittery, black-and-white footage is paired with raw fragments of recorded sound. The abrasive materiality of the ‘glitch’ matters as much as the nostalgically affectionate content.
– Adrian Martin
Also in this combined programme
-
Omen
Veteran experimentalist Peter Rose alternates ominous views of nature scarred by civilisation and subterranean passageways. -
RE:EXPOSURE
Investigating the idea of skin – body and image – and the effects of time and light. -
Verdigris
A historical, political, artistic and Situationist inquiry into the architecture of the Paris Métro system. -
gestures toward Plant Vision
Can plants see? A lyrical cinematographic evocation of how plants are photo-sensitive to light. -
A Letter from Elli
A hauntingly lyrical treatment of traces from a troubled, early 20th century life in Latvia. -
20/68 Schatzi
Master Austrian structuralist Kurt Kren moves from busy, unbridled abstraction to an ultimate pictorial shock. -
Roseblood
A dance film using the means of cinema to fragment and reassemble a woman’s gestures.
Film details
- Country of production
- Canada
- Year
- 2025
- Festival edition
- IFFR 2026
- Length
- 6'
- Medium/Format
- DCP
Shows of "44 Houses"
-
KINO 3
This screening consists of the following films:
- Omen
- 44 Houses
- RE:EXPOSURE
- Verdigris
- gestures toward Plant Vision
- A Letter from Elli
- 20/68 Schatzi
- Roseblood
In-personwith Q&AEnglish subtitledSoon available -
KINO 3
This screening consists of the following films:
- Omen
- 44 Houses
- RE:EXPOSURE
- Verdigris
- gestures toward Plant Vision
- A Letter from Elli
- 20/68 Schatzi
- Roseblood
In-personwith Q&AEnglish subtitledSoon available