Dau:añcut (Moving Along Image)
The filmmaker considers the war in Ukraine and the ongoing US occupation of his ancestral lands.
15'
Kiowa Tribe of Oklahoma
IFFR 2024
Repurposing techniques such as spoken word, ASCII art and coding, the protagonist in this film navigates his own conflicted, chaotic memories. While he lets his imagination roam freely, the film unfolds through a series of vignettes. With Line of Sight, Ali Eslami manages to find a new way to articulate our inner realm and explore a displaced and fragmented sense of self. The result is as playful as it is frightening.
– Koen de Rooij
IFFR 2024
The filmmaker considers the war in Ukraine and the ongoing US occupation of his ancestral lands.
15'
Kiowa Tribe of Oklahoma
IFFR 2024
Erasure of identity markers with razorblades; erasure of self within the cut of the frame.
10'
United States
IFFR 2024
An experience that overwhelms the senses, exploring the constructions of reality from a dystopian perspective.
18'
Austria
IFFR 2024
This associative collage depicts the lived experience of displacement with a whiff of irony.
11'
Netherlands
IFFR 2024
Programme IFFR 2024
Just as long as it takes. The Short & Mid-length film programme offers a unique showcase of films under 63 minutes.
Read more about this programmeDeborah S. Philips' touching analogue collage is a tribute to her deceased mother.
9'
Germany
IFFR 2024
Daily life from a filmmaker's family home in Manila tenderly oscillates between personal and political.
22'
Netherlands
IFFR 2024
Two young boys follow their curiosity as they skip Sunday school.
17'
India
IFFR 2024