With the erasure of fingertips as a point of departure, Denials, Decoys takes the idea of a cut on the body and obfuscates it within the cut of the moving image. The result is disorienting, alienating and freeing. Like those seeking total anonymity within a culture of absolute control and surveillance, we spectators dissolve ourselves into shadowy rooms set to broken time, false time, end times.
– Cristina Kolozsváry-Kiss
Also in this combined programme
-
space_invaders.exe
This associative collage depicts the lived experience of displacement with a whiff of irony. -
Dau:añcut (Moving Along Image)
The filmmaker considers the war in Ukraine and the ongoing US occupation of his ancestral lands. -
-
The Electric Kiss
An experience that overwhelms the senses, exploring the constructions of reality from a dystopian perspective.
Trailer
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Film details
- Country of production
- USA
- Year
- 2024
- Festival edition
- IFFR 2024
- Length
- 10'
- Medium/Format
- DCP
