Dau:añcut (Moving Along Image)
The filmmaker considers the war in Ukraine and the ongoing US occupation of his ancestral lands.
15'
Kiowa Tribe of Oklahoma
IFFR 2024
With the erasure of fingertips as a point of departure, Denials, Decoys takes the idea of a cut on the body and obfuscates it within the cut of the moving image. The result is disorienting, alienating and freeing. Like those seeking total anonymity within a culture of absolute control and surveillance, we spectators dissolve ourselves into shadowy rooms set to broken time, false time, end times.
– Cristina Kolozsváry-Kiss
IFFR 2024
The filmmaker considers the war in Ukraine and the ongoing US occupation of his ancestral lands.
15'
Kiowa Tribe of Oklahoma
IFFR 2024
An experience that overwhelms the senses, exploring the constructions of reality from a dystopian perspective.
18'
Austria
IFFR 2024
A displaced protagonist explores his fragmented sense of self in the digital realm.
23'
Netherlands
IFFR 2024
This associative collage depicts the lived experience of displacement with a whiff of irony.
11'
Netherlands
IFFR 2024
Programme IFFR 2024
Just as long as it takes. The Short & Mid-length film programme offers a unique showcase of films under 63 minutes.
Read more about this programmeDeborah S. Philips' touching analogue collage is a tribute to her deceased mother.
9'
Germany
IFFR 2024
Daily life from a filmmaker's family home in Manila tenderly oscillates between personal and political.
22'
Netherlands
IFFR 2024
Two young boys follow their curiosity as they skip Sunday school.
17'
India
IFFR 2024