All Movements Should Kill the Wind
Man shapes his environment, which shapes his brain. Two hundred kilometres from Beijing, men live in a stone quarry amidst rocks that are waiting to be hacked, cut and sanded into sculptures. The same gestures come back again and again, to write a history of deterioration and repair. In the making of monuments, history is obliterated.
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Zero
A conversation between two olive trees about nothing at all. And the farmer carried on ploughing.
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At the Time of the Ebb
During the annual celebration of Fisherman’s New Year, Iranian trade, tradition and customs, past and present, are still very much felt today in Qeshm
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Curious Fantasies
A close reading of the characteristics of perfume in advertisements leads to criticism of the celebrity cult. The rich get richer, but everyone smells
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Blue
How to overcome the locked-in syndrome of the computer screen? A meditative reflection on the urban jungle, with the colour blue as main protagonist.
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Ink in Milk
Schizophrenia is the creative principle here, splitting up realities and reassembling them anew. Wieland evokes the hidden ruins of the psyche.
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Erpe-Mere
Surrounded by the sound of nocturnal animals, a girl falls into a deep sleep. Gradually her dream unfolds into a cosmic journey through a rural villag
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Come Coyote
Family, Feminism, LGBTQ, Love: Come Coyote evokes the reproductive challenges of same-sex couples with sensual poetry, humour and a hint of despair.
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A State of Grace
Good heavens! Airline safety instructions can be highly ambiguous. John Smith delivers a biblical interpretation of Ryanair’s in-flight safety card.
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Aahuti
A ritualised choreography of hands and simple objects above a section of soil offers a phenomenological journey to the essence of the cycle of life.
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Action, Almost Unable to Think
An ingenious visualisation of a real-life story, focusing on the inner world of this soldier, killed in an explosion while greeting a civilian.
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In the Hands of Puppets
How different is online chatting from talking to a sock puppet? A rather absurd cartoon-like animation raises issues such as self-analysis and social
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A Girl Who’s Afraid of Touching People
You see the girl or you don’t. But it is clear she is afraid of touching people, and now she is going on a journey to overcome her fears.
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La enorme presencia de los muertos
After receiving his last wage and sending it off to his home country, a house painter deliberately abandons his mobile phone on a park bench.
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Smile Driver
An electric fan, a boy with eerily fast-growing eyebrows and a penchant for apocalyptic reverie: the psychological portrait of a 21st-century child?
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Not an Irrelevant Trifle
Quotes from Sigmund Freud, C.G. Jung, and L. Ron Hubbard form a conversation on technology and identity, and societies with religious foundations.
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Water and Salt
Through a stream of consciousness, the film reflects a woman’s contradictory feelings while far away from home during Brazil’s recent socio-political
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Szeemann and Lenin Crossing the Alps
An unusual collaboration between curator Harald Szeemann and artist Rudolf Herz was set in motion in the summer of 2003: ‘Lenin on Tour’.
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Everyone Is Welcome Here
A 3D programme generates a strange configuration of residential units in a utopian field. An attempt to create a brand-new community defined as ‘neutr
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Magdaleena
Magda has been captive in her own life for a long time. Her psychiatrist Dr Eyre wants to wake her up, but Magda’s mind is stronger than anyone expect
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escape goat
This disruptive video invites the viewer to drift through a string of surreal scenes from a sabotaged nature documentary with a quietly unsettling atm
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Stone
This monument to Sharon Stone is entirely based on 15 chemically treated film stills. An abstract remake of the remake of the thriller Les diaboliques.
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Film details
- Country of production
- France
- Year
- 2019
- Festival edition
- IFFR 2020
- Length
- 12"
- Medium/Format
- DCP
- Language
- Chinese
- Première status
- None
- Director
- Wang Yuyan
- Producer
- Natalia Trebik
- Cinematography
- Wang Yuyan
- Editing
- Wang Yuyan, Clara Chapus
- Production company
- Le Fresnoy - Studio national des arts contemporains
- Sales / World rights holder
- Le Fresnoy - Studio national des arts contemporains
- Sound design
- Nicolas Verhaeghe
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