Kashmir is India’s northernmost state and, since 1947 (the year the subcontinent rid itself of British rule), the site of a separatist movement. In an installation that involves dual slide-projection, papier mâché tiles and wall drawings, Praneet Soi eschews media representations of Kashmir and opts for the generation of a personal narrative.
Also in this combined programme
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Non-chronological History
The history of Thai political events since 1932 is reshuffled out of chronological order in this installation with multiple slide projectors. -
Landscape Series #1
A series of mysterious photographs of people pointing into Vietnamese landscapes becomes a commentary on news events in this slide installation. -
Space Station: Rainbow Ihnfinity
A nod to Sun Ra’s obsession with rainbows, this installation places living plants, theatrical furniture and a rainbow mural in an ‘arkestr -
Sedimentation of Memory
This installation examines the caves of Cannerberg, located on the Dutch-Belgian border, which bear traces of its layered history. -
Her Luminous Distance
This installation oscillates between archival images of stars, craters on the moon and under-recognised women scientists in space stations. -
A Man Called Love
A poetic slide installation that intertwines psychic medium Francisco Candido Xavier, Brazil’s race and class relations and military dictatorshi -
Recollections of Long Lost Memories
A present-day hippy finds his way into historical photographs that mark Malaysian history in this humorous slide installation. -
Between a Gaze and a Gesture
With images sourced from the Liberty human rights archive, this installation shows post-colonial and racial tensions in mid-20th-century Britain. -
Fossil Locomotion
This flickering installation with multiple slide projectors is a study of motion that activates fossils that have been stationary for millennia.
Film details
- Countries of production
- India, Netherlands
- Year
- 2014
- Festival edition
- IFFR 2019
- Medium/Format
- 35mm
- Language
- no dialogue
