“There’s no words anymore”, whispers a masked Prouvost in her soft voice. Like a fast-paced word game, images and language are jumbled together in a cleverly edited whole that urges the viewer to remember the meaning of things. But miscommunication is always lurking around the corner, ultimately defying language altogether.
Also see Artist Talk: Laure Prouvost.
Also in this combined programme
-
A Composition in Blue, Red & Other Colours
In a film that slowly reveals itself, a protagonist is in search of a voice for memories of a hostile world that hitherto could not… -
I Have Sinned a Rapturous Sin
Fragments of Forough Farrokhzad’s poem Sin are read out, juxtaposed with clergy advising women on how to control their lust in Maryam Tafakory’s -
3rd Builders’ Street
3rd Builders’ Street focuses on the concrete-panel houses which appeared throughout the Soviet Union from the 1960s. The use of colour separation -
Arr. for a Scene
A documentary about two foley artists who provided the sound effects for one of the most legendary scenes in cinema history: the shower scen -
Analysis of Emotions and Vexations 2
Sober, yet ingenious pencil drawing animation with poetic comment and haunting sound capturing the filmmaker’s spirit’s volatile state. Another year p
Film details
- Countries of production
- Belgium, USA
- Year
- 2018
- Festival edition
- IFFR 2018
- Length
- 16'
- Medium/Format
- DCP
