Cinema of Rods and Cones
Combined programme
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IFFR 2015
We use our eyes to look. That sounds logical, but how exactly does that work? And, don’t we use all our senses in the cinema? How much do images make a film? And, what does sound do?
In dit verzamelprogramma
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NOT AND OR
As Simon Payne flips, reverses and refilms black-and-white quadrilateral shapes, our brain’s powers of perception are stretched to their absolute limi -
Zu Hanne Darboven/Abschliessend
1853 photographs from Hanne Darboven’s exhibition The Order of Time and Things in Madrid are rhythmically edited to her music piece Requiem, op. 22, b -
Black
At the cinema, auditorium and screen are unified in a boundless space when the lights go off. A simultaneously personal and collective experience. -
cinéma
Concentrated work with a subtly moving mobile that creates the word ‘cinema’ with light and shadow – extending lines to a wondrous art collection. -
Sightings: Habitat
Ratté bring depth to the otherwise flat surface of the video screen by intricately layering a series of moirés and checkerboards. -
In Waking Hours
A 17th-century experiment is conducted in a darkened kitchen in Brussels. After prepping a fresh cow’s eye we witness the birth of the image.