Simon Payne describes NOT AND OR as ‘black-and-white quadrilaterals spinning in virtual space that alternate with the same static shapes re-filmed from a screen in real space.’ It sounds understated but has an extraordinary effect, stretching our brain’s powers of perception to their absolute limit.
Also in this combined programme
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Zu Hanne Darboven/Abschliessend
1853 photographs from Hanne Darboven’s exhibition The Order of Time and Things in Madrid are rhythmically edited to her music piece Requiem, op. 22, b -
Black
At the cinema, auditorium and screen are unified in a boundless space when the lights go off. A simultaneously personal and collective experience. -
cinéma
Concentrated work with a subtly moving mobile that creates the word ‘cinema’ with light and shadow – extending lines to a wondrous art collection. -
Sightings: Habitat
Ratté bring depth to the otherwise flat surface of the video screen by intricately layering a series of moirés and checkerboards. -
In Waking Hours
A 17th-century experiment is conducted in a darkened kitchen in Brussels. After prepping a fresh cow’s eye we witness the birth of the image.
Film details
- Country of production
- United Kingdom
- Year
- 2014
- Festival edition
- IFFR 2015
- Length
- 18'
- Medium/Format
- File
