A Third Version of the Imaginary
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In a visual and narrative echo chamber, Tiven addresses video’s addressing of film. Interested in the increasing interchangeability between objects and data, he constructs his works so that they enact the questions they tackle. Material facts in one medium become aesthetic facts in another work.
Ook in dit verzamelprogramma
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Experiments in Buoyancy
Digital images are rephotographed and animated frame by frame to explore hypothetical forms of decay. All the images suggest a feeling of gravity. -
The Emblazoned Apparitions
In this hommage to the end of cinema, disintegrating slapstick footage is haunted by the voices of Thomas Edison and Harry Houdini. -
Doorway for Natalie Kalmus
Close-ups of a technicolour instrument in a laboratory build up to form a kaleidoscopic ballet. Abstract flashes of light lead to a mystic experience. -
Handful of Dust
Revisiting a canyon where John Wayne fought the Indians in 1954, the filmmaker finds nuclear radiation at this former above-ground testing site. -
G Is the Dial
Two young women from Leeds face a mysterious object on their kitchen table, and try to make it function. -
ELSA merdelamerdelamer
This suggestive experiment was inspired by Man Ray’s and Duchamp’s lost film of the Baroness Elsa von Freytag-Loringhoven shaving her pubic hair. -
El adios largos
A fake restoration of a colourful Robert Altman sequence, with a private detective hilariously dominated by his cat. Not for purists! -
The Dark Galleries
Provost creates a fascinating hall of mirrors through a splendid montage of film noir scenes, in which the actors face a painted portrait. Also see…
Film details
- Productielanden
- Kenya, USA
- Jaar
- 2012
- Festivaleditie
- IFFR 2014
- Lengte
- 12'
- Medium/Formaat
- HDcam
- Taal
- Swahili
- Première status
- Dutch Premiere
- Director
- Benjamin Tiven
- Producer
- Benjamin Tiven
- Sales / World rights holder
- Benjamin Tiven
- Screenplay
- Benjamin Tiven
- Editing
- Benjamin Tiven
- Production design
- Benjamin Tiven