Varesh Darvish is a filmmaker, dancer and performer; her husband Heydary also makes films. They made Immersed together, a work in which she – pregnant and dressed in black – dances and moves as if in slow-motion. She is shown in fragments as a rhythmic soundtrack plays.
Also in this combined programme
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Irreversible Beauty
The artist Malekian makes sculptures and video art. In Irreversible Beauty she records her latest experimental performance.
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The Memories of Others
A film made up of found photos and slides. In a collage of these images, a new story is created about the inevitable end.
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The Harmonica
Amirou wants to play another little boy’s mouth organ. A metaphor for colonialism in developing countries, based on found footage.
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Make Art, Not War
A cardboard city and a tank that shoots beautiful graffiti on the walls. The title says it all: Make art, not war!
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Damn Garbage
In a residential complex in Tehran, a woman is stuck outside of her house and can’t get in. She seeks a way to enter.
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My Glorious Childhood
Having grown up in Iran, Nafrisi continued her art studies in the Netherlands. Here she literally carried her childhood around through the streets
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Conquest of Paradise
A split screen that, with the aid of icons such as basketball and red white and blue, illustrates the illusion of the American Dream.
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This Is Not an Ice Cream
As if the alarming images of war don’t touch her or affect her, the girl continues imperturbably eating her ice cream.
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Acrophobia 0.1.
Fragments of a fading memory are combined into a new experience. A work about time and memory.
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Perpendicular to the Path
There is a need for a spot to be occupied, for a moment to be owned, a moment in the scheduled course of the day. The successive manner, the simpli
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Good Childhood Days
Back to the 1980s, when both directors grew up, while we hear a contemporary Iranian rock version of a children’s song from that decade.
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Raining Ashes
A woman in jail dreams of the activist who writes her letters. Or is the imaginary relationship between prisoner and activist really the other way
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Red Thing
A giant red thing invades the city and desperately tries anything it can to get people’s attention.
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Worn Out Mirrors
Two parts consisting of the personal works Butterfly and Candle, in which the artist Bastan metaphorically records his mental state in images and s
Film details
- Countries of production
- Iran, Sweden
- Year
- 2013
- Festival edition
- IFFR 2013
- Length
- 6"
- Medium/Format
- DCP
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Rhino Season
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My Stolen Revolution
The filmmaker fled revolutionary Iran; 30 years later, she seeks out other survivors when protests resume in Tehran. Emotional and personal.
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Raining Ashes
A woman in jail dreams of the activist who writes her letters. Or is the imaginary relationship between prisoner and activist really the other way