Made with spray paint and hand-cut stencils, this film was an attempt at maximum plastic intensity. All the ‘numerical’ films are concerned with single frame alternation, working out an interweaving, three different themes, by alternating the images of them, like working on a fugue.
- Director
- Robert Breer
- Country of production
- USA
- Year
- 1970
- Festival Edition
- IFFR 2008
- Length
- 5'
- Medium
- 35mm
- Language
- no dialogue