A filmed performance by Robert Rauschenberg. The work does not offer a narrative in the strict sense. Each performer is assigned a certain activity that he or she upholds for the duration of the performance. Some Floats (sculptures) by Robert Breer are also seen passing by.
Also in this combined programme
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77
In 77 we see a number of simple mechanic objects spiral out of a spray-paint nebula then implode into pure pattern and line.
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70
Made by Breer with spray paint and hand-cut stencils, this film was an attempt at maximum plastic intensity.
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69
Animated geometric volumes are following the codes of perspective and thus create the illusion of screen depth.
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ATOZ
What is the impact of an order such as the alphabet on the awakening mind of a child? A short film dedicated to Breer’s first granddaughter Z
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Portrait of Robert Breer
An interview (with inclusion of the complete film Recreation) in the series that Chodorov made for the TV-Channel ARTE.
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Breathing
The movement of the line, and its place on the screen, and its density, the rhythms… make up the entire film.
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66
Colours, speed, illusion, images that remind us of the ‘cut out papers’ by Henri Matisse, or the paintings of Frank Stella.
Film details
- Country of production
- USA
- Year
- 1966
- Festival edition
- IFFR 2008
- Length
- 20"
- Medium/Format
- Betacam SP PAL
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77
In 77 we see a number of simple mechanic objects spiral out of a spray-paint nebula then implode into pure pattern and line.
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A Man and His Dog Out for Air
The first hand-drawn film by Breer that involved a continuous cartoon-like movement. One of his most accessible.
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What Goes Up
Breer’s personal take on the everyday in images that zoom past us like a flashback of a thousand perfectly lived moments, a four-minute epic.