The Art of the Overhead is an installation consisting of a growing collection of overhead slides submitted by artists, graphic designers, filmmakers, cartoonists, writers, et cetera. The people who submitted to the archive were either asked to contribute or simply answered to an open call. The archive is displayed in an interactive wall-mounted folder system. Each folder contains the work of one artist and the exhibition visitors can browse the archive by taking down the folders and projecting the overhead slides themselves. Christian Faubel’s Overheadbots on the other hand are completely autonomous; all their energy is delivered by the overhead. Like parasites they sit on top of the overhead and convert its light into their proper motion. The whole system is like a little ecosystem and works without any further intervention once the overhead is turned on.
Also in this combined programme
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Verité exposée
The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that also
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PanicMadSkin
The Rotterdam artist evokes brutal, ‘primal scenes’ from which all civilized norms are banned. For this exhibition he creates a big mural drawing and
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One Second Drawings
Latham used a spray gun for a series of 60 one-second drawings which denoted ‘the least event’; an illustration of Latham’s view on the fundamental un
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Dark Light
Hundreds of light bulbs, some flashing, others unwired, but all wrapped in plastic images cut by the artist, together form a kind of animated chain re
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Exploding Camera
Artist/performer Julien Maire deconstructed a video camera, but kept the light sensor intact. Dots of light spread throughout the space are being reco
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Pickled Eastman Kodak 7302
The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a pe
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Frame by Frame
On light boxes and monitors Tscherkassky shows two versions of his CinemaScope Trilogy: as stream of moving images, and as a montage of filmstrips.
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Sine (Digital/Analog-Convertor)
A digital video tape flutters in the air stream of a ventilator, dances in the light beam of a projector, throws jittery shadows: calligraphy and info
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Picnoleptic City (Rotterdam Edit)
A graffiti project. The urban unconscious is what interests Åsdam: the relations between subjectivity and the State, along with the dialectic between
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Trigger
A performance Trigger, whereby each image, or flash of light is triggered by a live gunshot. In Trigger the interaction between the sound of the gun a
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Papierpixel
Paper Pixels takes up the 200 year old principle of the punched data carrier to convert a scène from the video game Half Life, in an 8 x 8 pixel resol
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Light Spill
A projector in a room spills the contents of a film reel onto the floor. Over the course of the exhibition there emerges an uncontrollable growing hea
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Emile Cohl: Early Works
Before he launched himself as the European pioneer of drawn animation, Cohl was one of the liveliest representatives of the ‘Incoherents’. Besides som
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Yellow Movie 2/26/73
The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a pe
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Toast
The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that also
-
Two Pencil Durations
For the monumental ‘Two Pencil Durations’ McCall used two types of pencil for a minimalist game with simple hatch marks, to maximum effect.
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Beirut Caoutchouc
The Lebanese artist designed a map of Beirut city, engraved in centimeters thick, lusterless rubber. The result is a monochrome, rather macabre puzzle
Film details
- Country of production
- Denmark
- Year
- 2005
- Festival edition
- IFFR 2007
- Medium/Format
- -
- Premiere status
- -
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