Trigger

Also in this combined programme

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  Emile Cohl: Early Works

  Before he launched himself as the European pioneer of drawn animation, Cohl was one of the liveliest representatives of the ‘Incoherents’. Besides

  • Exposing Cinema: Borderline Behaviour

• Toast

  The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that a

  • Exposing Cinema: Borderline Behaviour
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  Dark Light

  Hundreds of light bulbs, some flashing, others unwired, but all wrapped in plastic images cut by the artist, together form a kind of animated chain

  • Exposing Cinema: Borderline Behaviour
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  Papierpixel

  Paper Pixels takes up the 200 year old principle of the punched data carrier to convert a scène from the video game Half Life, in an 8 x 8 pixel re

  • Exposing Cinema: Borderline Behaviour
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  Sine (Digital/Analog-Convertor)

  A digital video tape flutters in the air stream of a ventilator, dances in the light beam of a projector, throws jittery shadows: calligraphy and i

  • Exposing Cinema: Borderline Behaviour
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  Two Pencil Durations

  For the monumental ‘Two Pencil Durations’ McCall used two types of pencil for a minimalist game with simple hatch marks, to maximum effect.

  • Exposing Cinema: Borderline Behaviour
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  Verité exposée

  The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that a

  • Exposing Cinema: Borderline Behaviour
• 

  Pickled Eastman Kodak 7302

  The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a

  • Exposing Cinema: Borderline Behaviour
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  PanicMadSkin

  The Rotterdam artist evokes brutal, ‘primal scenes’ from which all civilized norms are banned. For this exhibition he creates a big mural drawing a

  • Exposing Cinema: Borderline Behaviour
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  Frame by Frame

  On light boxes and monitors Tscherkassky shows two versions of his CinemaScope Trilogy: as stream of moving images, and as a montage of filmstrips.

  • Exposing Cinema: Borderline Behaviour
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  The Art of the Overhead 2005

  A growing collection of overhead slides is submitted by artists, graphic designers, filmmakers, cartoonists, writers et cetera. Christian Faubel’s

  • Exposing Cinema: Borderline Behaviour
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  Exploding Camera

  Artist/performer Julien Maire deconstructed a video camera, but kept the light sensor intact. Dots of light spread throughout the space are being r

  • Exposing Cinema: Borderline Behaviour
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  Light Spill

  A projector in a room spills the contents of a film reel onto the floor. Over the course of the exhibition there emerges an uncontrollable growing

  • Exposing Cinema: Borderline Behaviour
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  Picnoleptic City (Rotterdam Edit)

  A graffiti project. The urban unconscious is what interests Åsdam: the relations between subjectivity and the State, along with the dialectic betwe

  • Film Artist in Focus: Knut Åsdam
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  Yellow Movie 2/26/73

  The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a

  • Exposing Cinema: Borderline Behaviour
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  Opera aperta

  …

  • Exposing Cinema: Borderline Behaviour
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  One Second Drawings

  Latham used a spray gun for a series of 60 one-second drawings which denoted ‘the least event’; an illustration of Latham’s view on the funda

  • Exposing Cinema: Borderline Behaviour
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  Beirut Caoutchouc

  The Lebanese artist designed a map of Beirut city, engraved in centimeters thick, lusterless rubber. The result is a monochrome, rather macabre puz

  • Exposing Cinema: Borderline Behaviour