Opera Aperta is a living book. It offers a sharply defined conclusion of the trajectory of the artist Honoré d’O. The book of rolls functions like a metaphor for the entire oeuvre. With digital technology, Honoré d’O relates text and image in a visual, rather than a purely graphic manner. For the viewer this contact between the images creates random or found associations. The rolls on the left and the right of the image protect so to speak the choice of the viewer. They add a sense of magic to what is visible, in relationship to the invisible world of the other images. It is like paper that has learned to stand on its own feet.
Also in this combined programme
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Emile Cohl: Early Works
Before he launched himself as the European pioneer of drawn animation, Cohl was one of the liveliest representatives of the ‘Incoherents’. Besides
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Toast
The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that a
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Dark Light
Hundreds of light bulbs, some flashing, others unwired, but all wrapped in plastic images cut by the artist, together form a kind of animated chain
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Papierpixel
Paper Pixels takes up the 200 year old principle of the punched data carrier to convert a scène from the video game Half Life, in an 8 x 8 pixel re
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Sine (Digital/Analog-Convertor)
A digital video tape flutters in the air stream of a ventilator, dances in the light beam of a projector, throws jittery shadows: calligraphy and i
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Two Pencil Durations
For the monumental ‘Two Pencil Durations’ McCall used two types of pencil for a minimalist game with simple hatch marks, to maximum effect.
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Verité exposée
The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that a
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Pickled Eastman Kodak 7302
The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a
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PanicMadSkin
The Rotterdam artist evokes brutal, ‘primal scenes’ from which all civilized norms are banned. For this exhibition he creates a big mural drawing a
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Frame by Frame
On light boxes and monitors Tscherkassky shows two versions of his CinemaScope Trilogy: as stream of moving images, and as a montage of filmstrips.
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The Art of the Overhead 2005
A growing collection of overhead slides is submitted by artists, graphic designers, filmmakers, cartoonists, writers et cetera. Christian Faubel’s
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Exploding Camera
Artist/performer Julien Maire deconstructed a video camera, but kept the light sensor intact. Dots of light spread throughout the space are being r
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Light Spill
A projector in a room spills the contents of a film reel onto the floor. Over the course of the exhibition there emerges an uncontrollable growing
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Picnoleptic City (Rotterdam Edit)
A graffiti project. The urban unconscious is what interests Åsdam: the relations between subjectivity and the State, along with the dialectic betwe
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Yellow Movie 2/26/73
The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a
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One Second Drawings
Latham used a spray gun for a series of 60 one-second drawings which denoted ‘the least event’; an illustration of Latham’s view on the funda
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Trigger
A performance Trigger, whereby each image, or flash of light is triggered by a live gunshot. In Trigger the interaction between the sound of the gu
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Beirut Caoutchouc
The Lebanese artist designed a map of Beirut city, engraved in centimeters thick, lusterless rubber. The result is a monochrome, rather macabre puz
Film details
- Country of production
- Belgium
- Festival edition
- IFFR 2007
- Medium/Format
- -
- Premiere status
- -
- Director
- Honoré D’O
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