Separate frames form the nucleus of a film, but in the meantime they are virtually invisible and it is not in the nature of film to look at the frames in isolation. If each film image is the same, the film doesn’t move. And if each frame differs, there is also no movement, but chaos. The film maker uses a photo camera to film, and a Super-8 camera as a still camera and thus investigates the boundaries between photography and film.
Also in this combined programme
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The Exquisite Hour
Sublime Super-8 contemplation is reminiscent of a complex layered dreamscape.
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Palme d’Or
Using the Super-8 camera as a brush, the film maker sketches waving palm trees in a golden glow.
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Pluie de roses (à Rose Lowder)
Two ships in the Canal St. Martin in Paris, immediately recorded in a direct way on Super-8.
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Abstract film en couleurs
Colourful film made without a camera, with the unexposed film material processed with pieces of film in the window of the original Super-8 cassette
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Nuestra señora de Paris
Lyrical film about light, shot in a well-known cathedral with a free role for the lightweight Super-8 camera.
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L’irréversible chapitre III d’un roman 3 dimensionnel
Is it a film, or is it a book?
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Track Moss Bypass
New textures emerge in deliberately out of focus stroll recorded on Super-8, taking place on the reduced scale of leaves and twigs.
Film details
- Country of production
- France
- Year
- 1989
- Festival edition
- IFFR 2006
- Length
- 3"
- Medium/Format
- -
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Market Street
With a good eye for composition, the film maker has shot a well-known street in San Francisco fragmentarily.
