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30 Jan – 9 Feb 2025
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Agustín Mendilaharzu

Agustín MENDILAHARZU (1975, Argentina) is a playwright, cinematographer, theatre director and filmmaker. He is also one of the four members of production company El Pampero Cine (alongside Mariano Llinás, Alejo Moguillansky and Laura Citarella), responsible for innovative filmmaking practices and celebrated films in Argentina. In 2019, he was nominated for best cinematography by the Argentine Film Critics Association for La Flor (2018) in the Silver Condor Awards. Clementina (2022), which he also co-wrote and starred in, is the first feature film he has directed.

Filmography

El carapálida (2004, short), Clementina (2022)

Agustín Mendilaharzu at IFFR

  • Clementina

    Clementina is a delightful absurdist comedy about the lives of two eccentrics during pandemic times.

    • Bright Future

  • La Flor (Parte 3)

    It starts with a brilliant exercise in self-parodying metafiction and evolves into something completely different. Followed by a remake of Jean Renoir

    • Hubert Bals Fund
    • La Flor

  • La Flor (Parte 2)

    Some time in the 1980s, in the Argentine pampas, four female spies have to successfully complete ‘Operation Hercules’. In the morning, a l

    • Hubert Bals Fund
    • La Flor

  • La Flor (Parte 1)

    Monumental masterpiece in two episodes: a B-film about a scary mummy and a musical drama mixed with a real mystery.

    • Hubert Bals Fund
    • La Flor

  • Historias extraordinarias

    The absolute secret tip of the last film year is this more-than-four-hour adventurous trilogy situated on the pampas. As the title indicates, this is

    • Bright Future

  • La Flor (Parte 3)

    It starts with a brilliant exercise in self-parodying metafiction and evolves into something completely different. Followed by a remake of Jean Renoir

    • Signatures

  • La Flor (Parte 1)

    Monumental masterpiece in two episodes: a B-film about a scary mummy and a musical drama mixed with a real mystery.

    • Signatures

  • La Flor (Parte 2)

    Some time in the 1980s, in the Argentine pampas, four female spies have to successfully complete ‘Operation Hercules’. In the morning, a l

    • The Spying Thing

  • Las poetas visitan a Juana Bignozzi

    After poet Juana Bignozzi’s death, a young journalist and poet inherits her oeuvre. Now what? How do you actually make a film about poetry?

    • Signatures

  • La Flor (Parte 1)

    Almost 10 years in production, some 12 hours of film. In six stories, Llinás uses the same four actresses in various ways. IFFR is now showing

    • Signatures