British Agent
80'
USA
IFFR 2019
We pick up in the middle of a story about four French-speaking female spies (actresses from the Piel de Lava theatre group) as they and their hostage move towards an airstrip where, "somewhere in the eighties, somewhere in South America" they will face their opponents in 'Operation Hercules' for a final showdown at dawn. Before we reach the end of this monumental, almost six-hour, tale we go back in time to see the backstories of the four spies, and travel the world: to Brussels, where their employer Casterman (only one of the many references, here to the publishing house of Hergé's Tintin) has his base; to Berlin; to Russia; and, of course, Siberia.
Driven by Llinás' all-knowing, all-questioning voice-over, the tale is immense, hypnotic, seriously
funny, but also deeply moving, leaving the viewer finally pleasantly
confused about the plot, but strangely reborn in a belief in the power
of storytelling.
Winner Hubert Bals Fund Audience Award, IFFR 2019. Also see La Flor (Parte 1) and La Flor (Parte 3).
IFFR 2019
Programme IFFR 2019
Spying as a way of filming, and the camera as an espionage tool. From more control to more confusion. Classics to contemporary highlights.
Read more about this programme80'
USA
IFFR 2019
Three stories of espionage in the Middle East, with images shot on a trip to Cairo in 2016, another to Tehran in 2008 and never-seen-before footage from Sana'a, Yemen. A love story and a suspense tale, mixed in with a dash of comedy and paranoia.
25'
Argentina
IFFR 2019
Impressive docudrama set in Korea about interrogation techniques used on prisoners. Was not allowed to be screened for 45 years.
64'
United Kingdom
IFFR 2019