Exploding Cinema: Free Radicals
Overview of films
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Filmstrip Collage
Paul Sharits | USA | -
Filmstrip Collage, 1972, 16mm film, 107 x 158 cm, Collection Cinémathèque Française -
The Flicker Film
Norman McLaren | 4' | Canada | None
Famous animator McLaren’s most abstract film, The Flicker Film, is marginalized to the point of being officially labelled as “unfinished” and thus ‘un -
The Flicker
Tony Conrad | 30' | USA | None
By implicating the retina rather than sight, this film displaces the centres of reception from the sensorial to the neural. -
Float Porcupine
Robert Breer | USA | -
Float Porcupine, 1967-2006, cut foam, wooden sticks and motor, unique piece, 51 x 18 x 33 cm, courtesy gb agency, Paris -
Float
Robert Breer | USA | None
Float, 1972, resin, paint, wood and motor, unique piece50 cm height, 100 cm diameter, courtesy gb agency, Paris -
Flux Paper Games: Rolls & Folds
Paul Sharits | USA | -
Flux Paper Games: Rolls & Folds, ca 1969, multiple, a box, 8,7 x 25,8 x 18 cm incl paper games: Paul Sharits, Sound Fold 1966,… -
Flux Series
Paul Sharits | USA | -
Flux Series, n/d, acrylic on bone, objets au nombre de 6, private collection, Paris -
For ‘Luv/Fuck Mandalas’
Paul Sharits | USA | -
For ‘Luv/Fuck Mandalas’, 1967, version with red handwriting, 21,6 x 27,9 cm, collection Galerie A, Amsterdam -
The Forgetting of Intentions and Impressions
Paul Sharits | USA | -
The Forgetting of Intentions and Impressions, 1975, felt pen on paper, 43,9 x 56,6 cm, collection Galerie A, Amsterdam -
Form Phases IV
Robert Breer | 4' | USA | None
Form Phases IV, 1954, 16mm transfer to dvd, 3,5 min, colour, silent -
Free Radicals
Len Lye | 5' | USA | None
A dynamic, rhythmic work, made without a camera by scratching directly into the emulsion of black film leader. -
Freud’s Psychopathology of Everyday Life
Paul Sharits | USA | -
Freud’s Psychopathology of Everyday Life, ca 1975, mounted on red glossy sheet of Plexiglas, (Flux book Paul Sharits), 21,6 x 27,9 cm, collection Galerie A,…