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29 Jan – 8 Feb 2026

Cinema Regained

Overview of films

  • Camera Car

    Roberto Taroni | 23' | Italy | None

    Doing the American thing: riding around in a car as a pure cinematic act.
  • Camila

    María Luisa Bemberg | 109' | Argentina | None

    The most famous and feminist take on the life of 19th-century socialite Camila O’Gorman and her love for a priest.
  • Captain Milkshake

    Richard Crawford | 98' | USA | None

    After a brief run, Crawford’s original psychedelic anti-Vietnam film from 1970 disappeared from the circuit for some dubious reasons and ended up on t
  • Careless Crime

    Shahram Mokri | 134' | Iran | None

    A wild mix of quirky fiction feature and playful historical film essay investigates a key moment in Iranian (cinema) history.
  • Case for a Rookie Hangman

    Pavel Jurácek | 100' | Czechoslovakia | -

    An absurd feature based on Gulliver’s Travels, in which the hero gets lost in his car and ends up in a strange version of the…
  • Cast of Shadows

    Sami van Ingen | 121' | Finland | World premiere

    Sami van Ingen presents an additional narrative to his grandfather, Robert Joseph Flaherty’s legacy.
  • Castle Films – Movies Greatest Headlines

    Eugene W. Castle | 12' | USA | -

    A vintage newsreel that was for home viewing and covered World War II events and Bikini Atoll atomic testing.
  • Early Works: Katja Raganelli

    Three newly restored early films by recently re-discovered autrice Katja Raganelli.
  • Chance Meetings 2

    Jean-Pierre Sens | 3' | Netherlands | -

    Faces turning away and a stalking camera: two confrontational encounters with the film maker.
  • Chance Meetings 3

    Jean-Pierre Sens | 5' | Netherlands | -

    Faces turning away and a stalking camera: two confrontational encounters with the film maker.
  • Charisma

    Amos Gitai | 18' | Israel | None

    An essay parable, part documentary part fiction, on the desire for a leader, anchored in Brecht’s 1935 poem A Worker Reads History.
  • Chess of the Wind

    Mohammad Reza Aslani | 100' | Iran | None

    A long-lost, legendary classic of Iranian New Wave cinema that mixes Hitchcockian scares and thrills with refined formalist aesthetics.