Extramission: The Capture of Glowing Eyes
Extramisión
Jessica Sarah Rinland uses ‘extramission’ and the pioneering technology of nature photographer George Shiras III to put light to acts of conservation and repatriation from London to Argentina. How can contemporary acts of care expose past violences?
Extramission: The Capture of Glowing Eyes, an installation by artist-filmmaker Jessica Sarah Rinland, presents moving images and audio recordings alongside material from early 20th-century issues of National Geographic magazines. The archival pages show the life’s work of George Shiras III, inventor of the camera trap, which captured the first photographs of animals at night, in their native habitats.
One of the first theories of sight, ‘extramission’ proposed that rays of light emitted from the eyes onto the outside world are what allow us to see. Rinland holds on to the poetry of this now-discredited concept. She frames the earliest night-time photographs of animals in their natural habitat, turns her thermal imagery camera on conservators of taxidermy at the Natural History Museum in London, and shares infra-red camera trap footage of animals recently translocated from Europe back to their native Argentina, where they are no longer found in the wild.
Extramission considers the aesthetics and politics of surveillance technologies used on animals. As illustrated in the acts of conservation and repatriation that recur in Rinland’s work, even contemporary acts of care must grapple with the lasting consequences of colonial violence.
– Laura Serejo Genes
Also in this combined programme
-
Brown Bodies in an Open Landscape are Often Migrating
Migration’s struggles and cinematic reenactment collide in Basir Mahmood’s exploration of representation.
-
Alice, Bob, Carol and David
Four digital characters perform chance-based choreography, fusing autonomy, structure and emotional resonance.
-
La Quema (del Planeta “B”)
A visual critique of colonial history and capitalism through ritual, cultural memory and fiery symbolism.
-
Show Me the Light — VR Silent Disco
A virtual and rhythmic journey that, reimagining the silent disco, immerses us in search of light.
Film details
- Year
- 2024
- Festival edition
- IFFR 2025
- Length
- 720"
- Medium/Format
- -
- Premiere status
- Dutch Premiere
You may also like this
-
AN ANIMATED DOG READS JOHN BERGER, HARAWAY, AND KAFKA
An animated dog, a motion capture of the filmmaker, opines on the limitations of being an animal.
-
-
Brown Bodies in an Open Landscape are Often Migrating
Migration’s struggles and cinematic reenactment collide in Basir Mahmood’s exploration of representation.
