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29 Jan – 8 Feb 2026

Big Screen Competition

Overview of films

  • Copenhagen Does Not Exist

    Martin Skovbjerg | 98' | Denmark | World premiere

    A tense psychological thriller turns into a coolly existentialist study on the limits of (com)passion.
  • Cyclone

    Philip Yung | 116' | Hong Kong | World premiere

    Desire and identity blur as Cyclone travels to Hong Kong in search of gender-affirming surgery.
  • Daryn’s Gym

    90' | South Africa | -

    Gym owner Daryn battles his next door competitor, in this light, sometimes deliciously exaggerated South African mockumentary.
  • Drawing Lots

    Zaza Khalvashi, Tamta Khalvashi | 84' | Georgia | World premiere

    A droll mystery noir about a tight-knit seaside neighbourhood.
  • Drifting Petals

    110' | Australia | -

    In this poetic essay, Clara Law paints a personal portrait of a filmmaker wandering through Hong Kong and Macau.
  • Drifting Petals

    Clara Law | 110' | Australia | None

    Available on Festival Scope Pro from 26 January 9:00 CET to 14 February 9:00 CET


  • Drifting

    Li Jun | 112' | Hong Kong | World premiere

    Hong Kong’s homeless fight for their rights in the shadows of the high-rises. A politically committed look at a precarious existence.
  • Eden

    Ágnes Kocsis | 153' | Hungary | World premiere

    Can love save Éva from a world that is making her sick, or will she have to stay in her sterile apartment forever?
  • Endless Borders

    Abbas Amini | 111' | Czech Republic | World premiere

    An exiled Iranian teacher helps an Afghan refugee family, triggering a multi-layered crisis of commitment.
  • Énorme

    Sophie Letourneur | 98' | France | International premiere

    A famous pianist is unexpectedly pregnant, thanks to her over-controlling husband. This raw comedy bends genders in unexpected, weird ways.
  • Eternal

    Ulaa Salim | 100' | Denmark | World premiere

    A deeply moving sci-fi drama of the heart that ruminates on ‘what if?’
  • The Evening Hour

    Braden King | 115' | USA | International premiere

    An empathetic portrait of economic decline and spiritual redemption in a rural American mining town where the drug trade has become part of the social