The dark forest beloved of poets is recreated by Lefrant in a materialist and apocalyptic vein suited to our times, and to cinema. The images move between abstract animation and representational landscape views, but a murky gloom suffuses the increasingly chaotic superimpositions. Can we any longer recognise anything that we see or hear? The natural world is lost before us.
– Adrian Martin
Also in this combined programme
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Sinisukka 1948
An experimental dance choreography that goes beyond human bodies and into a micro-universe of relational aesthetics.
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Blues
A bowl of blueberries slowly disappears: light, colour, action, time – cinema. Gottheim’s first one-take film.
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Ultramint
A work of strange, almost perverse sensuality, organised in clusters of analogies and contrasts.
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3 Lieder
Timeless, silent film vignettes based on songs from Robert Schumann’s Dichterliebe. A tribute to early film.
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Fear Factor
A reflection on the perils triggered by cultural appropriation and stereotypical representations of black bodies.
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Kajanaqtuq
Faded Super-8 images accompany an Inuk Elder’s memories in this powerful invocation of Inuit life and mythology.
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Untitled Part 9: This Time
Images of Bamiyan in Afghanistan alternate with children telling crazy stories. A chronicle of displacement.
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Film details
- Country of production
- France
- Year
- 2022
- Festival edition
- IFFR 2023
- Length
- 8"
- Medium/Format
- 35mm
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A White Screen Is Visible
The sensations and perceptions experienced in parasomniac states are brilliantly rendered in this hypnotic dream exploration.
