Anita Thacher’s Loose Corner is clearly inspired by the magical universes of Lewis Carroll, where nothing is what it seems and shapes are perpetually changing. Using clever superimpositions, changes in shot scale, magnification and reduction of proportions, optical effects, and deft editing, a simple corner turns into a generative space, alive and in constant transformation, with plenty of surprises for our senses.
– Cristina Álvarez López
Also in this combined programme
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KLITCLIQUE – Zu zweit
Not exactly a music video, but a queer-anarchist audio-visual manifesto from radical Austrian duo KLITCLIQUE.
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Marine Target
A disquieting exploration of the Salton Sea – haunted by traces of catastrophic US nuclear testing.
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Mar(i)cona
The filmmaker navigates between a trans identity forged in the city, and rural family roots.
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Dreams of G
An immersion into the surreal dreams and visions of a young woman haunted by loneliness.
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A White Screen Is Visible
The sensations and perceptions experienced in parasomniac states are brilliantly rendered in this hypnotic dream exploration.
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HUMUS (multiplexing)
Between figurative and abstract, this one-man show is like Busby Berkeley for the digital age.
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Marseille après la guerre
A collection of photographs of Marseille dockworkers; a compelling homage to Senegalese filmmaker Ousmane Sembène.
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Film details
- Country of production
- USA
- Year
- 1986
- Festival edition
- IFFR 2023
- Length
- 10"
- Medium/Format
- 16mm
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YUGOTRANSPORT – Wir sitzen alle im selben Bus
Contemporary gastarbeiter comedy with a strong feminist undercurrent, an homage to Yugo-land.
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A White Screen Is Visible
The sensations and perceptions experienced in parasomniac states are brilliantly rendered in this hypnotic dream exploration.
