In her studio, Hasabie Kidanu uses analogue film technologies to explore the construction of images and space, inspired by the earliest forms of cinema. The result is a film that works as a diorama with its very own dynamic of cut-outs, moving light, coloured windows and echoes of Addis Ababa.
Also in this combined programme
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Instructions on How to Make a Film
A quest on performance, educational voice-over, analogue filmmaking, ASCII, language, ethics of ethnography and narrative storytelling under a metapho -
Midnight Orange
Filmed in the Paigah tombs in India,Midnight Orange tells of unresolved crescendos, thwarted anticipations and unmanaged escalations through arch -
studie voor een veldslag
Thanks to a special printing technique, the film images look hand-drawn. Inspired by Late Medieval sketches of falling horses. -
Ceniza verde
A film painted with the light of a sun-drenched spot in Sierras de Córdoba where history manifests itself as an apparition. -
the eyes empty and the pupils burning with rage and desire
Minimalist expanded cinema performance with two modified 16mm projectors. An exploration of film emulsion without image, sound or narrative. -
The Sound Drifts
Hypnotising audio tracks dance to the soundtrack of Canapa’s previous film about Jérôme Noetinger, Metamkine’s sound artist.
Film details
- Country of production
- USA
- Year
- 2017
- Festival edition
- IFFR 2019
- Length
- 6'
- Medium/Format
- 16mm
