According to French film historian Georges Sadoul, the Brazilian film pioneer Humberto Mauro (1897-1983) had a singular poetic style. This documentary, made by his grand-nephew André Di Mauro, shows this very well. Shots from Humberto Mauro’s films – he made about three hundred – are accompanied by voice-over excerpts from interviews his son made in the 1960s.
Mauro was self-taught and interested in photography. He had an eye for beautiful compositions and a preference for nature. Even though the filmmaker, born in the province of Minas Gerais, had regional roots, his films have a universal quality. He was disappointed by the advance of the modern age. “Progress is not photogenic”, was the opinion of the man who preferred the “poetry of the waterwheel”. Yet he moved to Rio de Janeiro and recorded Brazil’s gradual urbanisation in his features (Ganga Bruta, O Canto da Saudade), documentaries and commissioned films.
Trailer
This content is available after accepting the marketing cookies.
Film details
- Country of production
- Brazil
- Year
- 2018
- Festival edition
- IFFR 2019
- Length
- 90"
- Medium/Format
- DCP
You may also like this
-
Ziva Postec. La monteuse derrière le film Shoah
Shoah, the monumental Holocaust documentary by Claude Lanzmann, was edited by Ziva Postec. In this documentary, she emerges from the director&rsquo
-
Within the Temple Without
A journey into the economic unconscious – which is now collective and digital, but which was once mediated by ritual.
-
The Colour of Chips
The classic The Colour of Pomegranates, transposed to the no less exotic Blackpool in the UK. Soundtrack by Mica Levi (Jackie, Under the Skin).