Two Faces

Hermine Freed | USA | 1972 | 7' |

| IFFR 2015

In response to the feminist discourse of the 1970s about women being alienated from themselves in a male-dominated society, Hermine Freed tries to contact her self-image and reclaim her body. In split screen we see how Freed caresses and kisses her mirror image.

Ook in dit verzamelprogramma

Super Smile
As Long As It Takes: Short
Effie Wu always looks straight at the camera during her daily routine. Her constant smile becomes increasingly unnerving for viewers.
Monologue
As Long As It Takes: Short
The camera focuses on a narcissist’s mouth while he boasts about his success with women and his job while he eats a plate of spaghetti.
Ego Sumo Version 2
As Long As It Takes: Short
Emilio López-Menchero embodies a Japanese sumo wrestler in an empty ballroom, then mentally and physically battles his own mirror image.
Living
As Long As It Takes: Short
Frans Zwartjes and his wife restlessly wander around their home. The music, the empty space and the use of an extremely wide-angle lens create an…
Shrugging Offing
As Long As It Takes: Short
Shrugging Offing produces effects of excitement and revulsion, and ultimately sleep, in the viewer as if it were a body. A performance of desire and…
The Footstones in Night Writing
As Long As It Takes: Short
Aldona lost her sight in 1986. This is her daily outing to Gutras Park where she wanders through both past and present.
Sexy
As Long As It Takes: Short
Kurdwin Ayub observes, imitates and interprets Miley Cyrus’s video We Can’t Stop. Ayub’s desperate posture contrasts with Miley’s self-confidence.
Get Closer
As Long As It Takes: Short
Collage of scraps of photographs of three children shot in 1989. At the end, the pieces fall into place. Intimate reflection on time’s progression.
La perle
As Long As It Takes: Short
A girl uses her mobile phone’s camera to transform into the girl in Vermeer’s Girl with a Pearl Earring. Pixels become digital brushstrokes.
Jo
As Long As It Takes: Short
Justine Pluvinage heads to New York with just two goals: to film and have sex. The camera serves as a means of meeting new men,…
Colin Is My Real Name
As Long As It Takes: Short
Reinterpretation of Colin Campbell’s True/False (1972). Nemerofsky Ramsay portrays Campbell affirming and denying personal statements about himself.
Cela avait commencé par un accident
As Long As It Takes: Short
Lydie Jean-Dit-Pannel has a monarch butterfly tattooed on every trip she takes. A record of her body that now boasts 41 butterflies.
Arid Edge
As Long As It Takes: Short
Bike ride through the rugged Atacama desert in Northern Chile, the driest in the world. Phil Dadson finds calm in the seemingly endless emptiness.