Cela avait commencé par un accident

Also in this combined programme

• 

  Super Smile

  Effie Wu always looks straight at the camera during her daily routine. Her constant smile becomes increasingly unnerving for viewers.

  • As Long As It Takes: Short
• 

  Monologue

  The camera focuses on a narcissist’s mouth while he boasts about his success with women and his job while he eats a plate of spaghetti.

  • As Long As It Takes: Short
• 

  Ego Sumo Version 2

  Emilio López-Menchero embodies a Japanese sumo wrestler in an empty ballroom, then mentally and physically battles his own mirror image.

  • As Long As It Takes: Short
• 

  Living

  Frans Zwartjes and his wife restlessly wander around their home. The music, the empty space and the use of an extremely wide-angle lens create an o

  • As Long As It Takes: Short
• 

  Shrugging Offing

  Shrugging Offing produces effects of excitement and revulsion, and ultimately sleep, in the viewer as if it were a body. A performance of desire an

  • As Long As It Takes: Short
• 

  The Footstones in Night Writing

  Aldona lost her sight in 1986. This is her daily outing to Gutras Park where she wanders through both past and present.

  • As Long As It Takes: Short
• 

  Sexy

  Kurdwin Ayub observes, imitates and interprets Miley Cyrus’s video We Can’t Stop. Ayub’s desperate posture contrasts with Miley’s self-

  • As Long As It Takes: Short
• 

  Two Faces

  Hermine Freed caresses and kisses her mirror image in an attempt to reclaim her body in a male-dominated society.

  • As Long As It Takes: Short
• 

  Get Closer

  Collage of scraps of photographs of three children shot in 1989. At the end, the pieces fall into place. Intimate reflection on time’s progre

  • As Long As It Takes: Short
• 

  La perle

  A girl uses her mobile phone’s camera to transform into the girl in Vermeer’s Girl with a Pearl Earring. Pixels become digital brushstr

  • As Long As It Takes: Short
• 

  Jo

  Justine Pluvinage heads to New York with just two goals: to film and have sex. The camera serves as a means of meeting new men, the film acts as a

  • As Long As It Takes: Short
• 

  Colin Is My Real Name

  Reinterpretation of Colin Campbell’s True/False (1972). Nemerofsky Ramsay portrays Campbell affirming and denying personal statements about h

  • As Long As It Takes: Short
• 

  Arid Edge

  Bike ride through the rugged Atacama desert in Northern Chile, the driest in the world. Phil Dadson finds calm in the seemingly endless emptiness.<

  • As Long As It Takes: Short